Days Without You - Original Mix
- BPM
- 123
- Open Key
- 4m
- Energy
- 68/100
- Pop
- 0/100
- Length
- 5:36
- Released
- 2013
- Album
- Days Without You
- Genre
- House
- Loudness
- -11.2 dB
- ISRC
- FR6V81916887
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Days Without You - Def:Play & Definition Remixremix3A · 121
- Days Without You - Sidney Charles Remixremix9B · 123
Days Without You - Original Mix is a club-tempo house track in F♯ minor (11A) at 123 BPM. The feel is dark and driving. The groove is strong and floor-ready. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Darius Syrossian's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 98% of Darius Syrossian's catalogue
- Tempo:
- slower than 94% of Darius Syrossian's catalogue
- Energy:
- calmer than 90% of Darius Syrossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Days Without You - Original Mix in?
Days Without You - Original Mix by Darius Syrossian is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Days Without You - Original Mix?
Days Without You - Original Mix runs at 123 BPM, a club-tempo track.
What mixes well with Days Without You - Original Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Days Without You - Original Mix good for peak time?
With energy 68 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 123 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Darius Syrossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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