Days Without You - Def:Play & Definition Remix
- BPM
- 121
- Open Key
- 8m
- Energy
- 65/100
- Pop
- 0/100
- Length
- 6:22
- Released
- 2013
- Album
- Days Without You
- Genre
- House
- Loudness
- -12.4 dB
- ISRC
- FR6V81916888
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Days Without You - Original Mixoriginal11A · 123
- Days Without You - Sidney Charles Remixremix9B · 123
Against the original (11A at 123 BPM), this version runs 2 BPM slower and moves the key from 11A to 3A.
Days Without You - Def:Play & Definition Remix runs 121 BPM in B♭ minor (3A), a club-tempo house record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Slower than 99% of Darius Syrossian's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Darius Syrossian's catalogue
- Energy:
- calmer than 94% of Darius Syrossian's catalogue
- Brightness:
- darker than 83% of Darius Syrossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Days Without You - Def:Play & Definition Remix in?
Days Without You - Def:Play & Definition Remix by Darius Syrossian is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Days Without You - Def:Play & Definition Remix?
Days Without You - Def:Play & Definition Remix runs at 121 BPM, a club-tempo track.
What mixes well with Days Without You - Def:Play & Definition Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Days Without You - Def:Play & Definition Remix good for peak time?
With energy 65 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 121 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More house
More from Darius Syrossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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