Talking About Today
- Key
- 9B · G major
- BPM
- 123
- Open Key
- 2d
- Energy
- 68/100
- Pop
- 1/100
- Length
- 6:03
- Released
- 2018
- Album
- Beyond My Soul EP
- Genre
- House
- Loudness
- -9.2 dB
- ISRC
- DEPL91801167
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in G major (9B), Talking About Today is a club-tempo house production. The feel is punchy, neutral in mood. The groove is strong and floor-ready. A 2018 production that still circulates in sets. Groovier than 94% of Tilman's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 79% of Tilman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Talking About Today in?
Talking About Today by Tilman is in G major, or 9B on the Camelot wheel.
What BPM is Talking About Today?
Talking About Today runs at 123 BPM, a club-tempo track.
What mixes well with Talking About Today?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Talking About Today good for peak time?
With energy 68 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 123 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Tilman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
