Girl From Ipanema (feat. Tamara Wellons) - Jose Marquez Batuca Dub
- BPM
- 123
- Open Key
- 7d
- Energy
- 69/100
- Pop
- 1/100
- Length
- 6:03
- Released
- 2014
- Album
- Makin' Moves WMC 2014 Sampler
- Genre
- Deep House
- Loudness
- -10.3 dB
- ISRC
- GBQU91200086
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Girl from Ipanema - Justin Imperiale Remixremix3A · 127
- Girl from Ipanema - Original Mixoriginal8B · 147
- Girl from Ipanema - Justin Imperiale Dubstrumentalversion2B · 127
- Girl from Ipanema - Trinidadiandeep Future Vision Remixremix3B · 122
Against the original (8B at 147 BPM), this version runs 24 BPM slower and moves the key from 8B to 2B.
Girl From Ipanema (feat. Tamara Wellons) - Jose Marquez Batuca Dub is a club-tempo deep house track in F♯ major (2B) at 123 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Groovier than 97% of Ezel's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Girl From Ipanema (feat. Tamara Wellons) - Jose Marquez Batuca Dub in?
Girl From Ipanema (feat. Tamara Wellons) - Jose Marquez Batuca Dub by Ezel is in F♯ major, or 2B on the Camelot wheel.
What BPM is Girl From Ipanema (feat. Tamara Wellons) - Jose Marquez Batuca Dub?
Girl From Ipanema (feat. Tamara Wellons) - Jose Marquez Batuca Dub runs at 123 BPM, a club-tempo track.
What mixes well with Girl From Ipanema (feat. Tamara Wellons) - Jose Marquez Batuca Dub?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Girl From Ipanema (feat. Tamara Wellons) - Jose Marquez Batuca Dub good for peak time?
With energy 69 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 123 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
More from Ezel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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