Trap en Los (Edit) (feat. Nokwazi)
30s preview
- BPM
- 123
- Open Key
- 3m
- Energy
- 69/100
- Pop
- 0/100
- Length
- 5:18
- Released
- 2020
- Genre
- House
- Loudness
- -6.3 dB
- Dynamics
- 12.0 dB
- ISRC
- ZA10C2000059
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Trap en Los (feat. Nokwazi)original10A · 123
Against the original (10A at 123 BPM), this version holds the same tempo in the same key.
Trap en Los (Edit) (feat. Nokwazi) runs 123 BPM in B minor (10A), a club-tempo house record. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Black Motion's catalogue.
- Groove:
- groovier than 79% of Black Motion's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Trap en Los (Edit) (feat. Nokwazi) in?
Trap en Los (Edit) (feat. Nokwazi) by Black Motion is in B minor, or 10A on the Camelot wheel.
What BPM is Trap en Los (Edit) (feat. Nokwazi)?
Trap en Los (Edit) (feat. Nokwazi) runs at 123 BPM, a club-tempo track.
What mixes well with Trap en Los (Edit) (feat. Nokwazi)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Trap en Los (Edit) (feat. Nokwazi) good for peak time?
With energy 69 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Black Motion
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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