Escape (feat. Hayla) - Sparrow & Barbossa Remix
30s preview
- BPM
- 123
- Open Key
- 6m
- Energy
- 74/100
- Pop
- 46/100
- Length
- 5:48
- Released
- 2025
- Album
- Escape (feat. Hayla) [Sparrow & Barbossa Remix]
- Genre
- House
- Loudness
- -10.6 dB
- Dynamics
- 10.8 dB
- ISRC
- GBTDG1302888
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Escape (feat. Hayla) - Sparrow & Barbossa Remix runs 123 BPM in A♭ minor (1A), a club-tempo house record. The feel is dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Better known than 95% of Sparrow & Barbossa's catalogue. In a set it works best as a floor-filler.
- Low end:
- more bass-heavy than 95% of Sparrow & Barbossa's catalogue
- Groove:
- groovier than 76% of Sparrow & Barbossa's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Escape (feat. Hayla) - Sparrow & Barbossa Remix in?
Escape (feat. Hayla) - Sparrow & Barbossa Remix by Sparrow & Barbossa is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Escape (feat. Hayla) - Sparrow & Barbossa Remix?
Escape (feat. Hayla) - Sparrow & Barbossa Remix runs at 123 BPM, a club-tempo track.
What mixes well with Escape (feat. Hayla) - Sparrow & Barbossa Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Escape (feat. Hayla) - Sparrow & Barbossa Remix good for peak time?
With energy 74 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 123 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
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