You Got the Moves
30s preview
- BPM
- 123
- Open Key
- 5m
- Energy
- 77/100
- Pop
- 12/100
- Length
- 6:46
- Released
- 2021
- Genre
- Tribal House
- Loudness
- -9.6 dB
- Dynamics
- 8.5 dB
- ISRC
- QM4TW2136242
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Got the Moves - Xtetiqsoul Remixremix3B · 123
- You Got the Moves - Caiiro Remixremix12A · 120
- You Got the Moves - Afshin Remixremix11A · 123
- You Got the Moves - Instrumentaloriginal3A · 113
You Got the Moves runs 123 BPM in D♭ minor (12A), a club-tempo tribal house record. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 98% of Vanco's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- darker than 92% of Vanco's catalogue
- Reach:
- better known than 81% of Vanco's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 57%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 10%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is You Got the Moves in?
You Got the Moves by Vanco is in D♭ minor, or 12A on the Camelot wheel.
What BPM is You Got the Moves?
You Got the Moves runs at 123 BPM, a club-tempo track.
What mixes well with You Got the Moves?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is You Got the Moves good for peak time?
With energy 77 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 123 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tribal house
More from Vanco
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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