You Got the Moves - Instrumental
- BPM
- 113
- Open Key
- 8m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 7:31
- Released
- 2021
- Album
- You Got the Moves
- Genre
- Tribal House
- Loudness
- -12.1 dB
- ISRC
- QM4TW2136246
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Got the Movesoriginal12A · 123
- You Got the Moves - Xtetiqsoul Remixremix3B · 123
- You Got the Moves - Caiiro Remixremix12A · 120
- You Got the Moves - Afshin Remixremix11A · 123
Against the original (12A at 123 BPM), this version runs 10 BPM slower and moves the key from 12A to 3A.
You Got the Moves - Instrumental is a mid-tempo tribal house track in B♭ minor (3A) at 113 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Darker than 99% of Vanco's catalogue.
- Reach:
- more underground than 99% of Vanco's catalogue
- Tempo:
- slower than 97% of Vanco's catalogue
- Energy:
- hotter than 78% of Vanco's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Got the Moves - Instrumental in?
You Got the Moves - Instrumental by Vanco is in B♭ minor, or 3A on the Camelot wheel.
What BPM is You Got the Moves - Instrumental?
You Got the Moves - Instrumental runs at 113 BPM, a mid-tempo track.
What mixes well with You Got the Moves - Instrumental?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is You Got the Moves - Instrumental good for peak time?
With energy 84 out of 100 at 113 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 113 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 106-120 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 113 — beatmatch without a big tempo pull.
More tribal house
More from Vanco
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 113 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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