Take It All Off
- BPM
- 123
- Open Key
- 5m
- Energy
- 76/100
- Pop
- 0/100
- Length
- 6:28
- Released
- 2018
- Genre
- Tribal House
- Loudness
- -7.6 dB
- ISRC
- ZAG9I1800052
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Take It All Off is a club-tempo tribal house track in D♭ minor (12A) at 123 BPM. It reads as punchy, neutral in mood. It is vocal-led. A 2018 production that still circulates in sets. More underground than 99% of Karyendasoul's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 95% of Karyendasoul's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Take It All Off in?
Take It All Off by Karyendasoul is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Take It All Off?
Take It All Off runs at 123 BPM, a club-tempo track.
What mixes well with Take It All Off?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Take It All Off good for peak time?
With energy 76 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 123 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tribal house
More from Karyendasoul
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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