Back On The Scene
- BPM
- 189
- Half-time
- 95
- Open Key
- 3m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 5:22
- Released
- 2013
- Genre
- Freestyle
- Loudness
- -8.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A freestyle cut, Back On The Scene sits in B minor (10A) at 189 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. Faster than 99% of Todd Terry's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 99% of Todd Terry's catalogue
- Reach:
- more underground than 99% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Back On The Scene in?
Back On The Scene by Todd Terry is in B minor, or 10A on the Camelot wheel.
What BPM is Back On The Scene?
Back On The Scene runs at 189 BPM.
What mixes well with Back On The Scene?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Back On The Scene good for peak time?
With energy 83 out of 100 at 189 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 189 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 178-200 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 189 — beatmatch without a big tempo pull.
More freestyle
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 189 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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