
Blackout
- BPM
- 174
- Half-time
- 87
- Open Key
- 4d
- Energy
- 73/100
- Pop
- 2/100
- Length
- 6:32
- Released
- 2024
- Album
- Retrospective Three
- Genre
- Freestyle
- Loudness
- -8.9 dB
- ISRC
- US92E0610380
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Blackout runs 174 BPM in A major (11B), a freestyle record. It is vocal-led. Spoken-word passages run through it. Faster than 99% of Todd Terry's catalogue.
- Groove:
- less groove-driven than 89% of Todd Terry's catalogue
- Energy:
- calmer than 87% of Todd Terry's catalogue
- Brightness:
- darker than 85% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Blackout in?
Blackout by Todd Terry is in A major, or 11B on the Camelot wheel.
What BPM is Blackout?
Blackout runs at 174 BPM.
What mixes well with Blackout?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Blackout good for peak time?
With energy 73 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 174 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More freestyle
More from Todd Terry
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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