Nothing Without You - Tinlicker Rework - Edit
30s preview
- Key
- 7A · D minor
- BPM
- 123
- Open Key
- 12m
- Energy
- 87/100
- Pop
- 34/100
- Length
- 3:59
- Released
- 2018
- Album
- Nothing Without You (Tinlicker Rework)
- Genre
- Progressive House
- Label
- Anjunadeep
- Loudness
- -6.9 dB
- Dynamics
- 9.4 dB
- ISRC
- GBEWA1802800
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nothing Without Youoriginal8B · 124
- Nothing Without You - Tinlicker Reworkremix10B · 123
- Nothing Without You - Extended Mixversion8B · 124
- Nothing Without You - Applescal Extended Mixversion3B · 123
- Nothing Without You - Applescal Remixremix3B · 123
Against the original (8B at 124 BPM), this version runs 1 BPM slower and moves the key from 8B to 7A.
A club-tempo progressive house cut, Nothing Without You - Tinlicker Rework - Edit sits in D minor (7A) at 123 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Slower than 89% of Tinlicker's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 82% of Tinlicker's catalogue
- Low end:
- more bass-heavy than 77% of Tinlicker's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Nothing Without You - Tinlicker Rework - Edit in?
Nothing Without You - Tinlicker Rework - Edit by Tinlicker is in D minor, or 7A on the Camelot wheel.
What BPM is Nothing Without You - Tinlicker Rework - Edit?
Nothing Without You - Tinlicker Rework - Edit runs at 123 BPM, a club-tempo track.
What mixes well with Nothing Without You - Tinlicker Rework - Edit?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Nothing Without You - Tinlicker Rework - Edit good for peak time?
With energy 87 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 123 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from Tinlicker
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
