
Soon You'll Be Gone - Extended Vocal Mix
30s preview
- Key
- 8A · A minor
- BPM
- 123
- Open Key
- 1m
- Energy
- 86/100
- Pop
- 25/100
- Length
- 6:24
- Released
- 2022
- Album
- Perfect Mistakes
- Genre
- Progressive House
- Label
- Anjunadeep
- Loudness
- -7.3 dB
- Dynamics
- 11.4 dB
- ISRC
- GBEWA2205575
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Soon You’ll Be Goneoriginal8A · 123
- Soon You'll Be Gone - Vocal Mixoriginal9B · 123
- Soon You'll Be Gone - Extended Mixversion8A · 123
Against the original (8A at 123 BPM), this version holds the same tempo in the same key.
A club-tempo progressive house cut, Soon You'll Be Gone - Extended Vocal Mix sits in A minor (8A) at 123 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 89% of Tinlicker's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more treble-tilted than 76% of Tinlicker's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Soon You'll Be Gone - Extended Vocal Mix in?
Soon You'll Be Gone - Extended Vocal Mix by Tinlicker is in A minor, or 8A on the Camelot wheel.
What BPM is Soon You'll Be Gone - Extended Vocal Mix?
Soon You'll Be Gone - Extended Vocal Mix runs at 123 BPM, a club-tempo track.
What mixes well with Soon You'll Be Gone - Extended Vocal Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Soon You'll Be Gone - Extended Vocal Mix good for peak time?
With energy 86 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 123 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from Tinlicker
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.