Soon You'll Be Gone - Extended Vocal Mix by Tinlicker cover art

Soon You'll Be Gone - Extended Vocal Mix

Tinlicker

30s preview

Key
8A · A minor
BPM
123
Open Key
1m
Energy
86/100
Pop
25/100
Length
6:24
Released
2022
Album
Perfect Mistakes
Genre
Progressive House
Label
Anjunadeep
Loudness
-7.3 dB
Dynamics
11.4 dB
ISRC
GBEWA2205575

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8A at 123 BPM), this version holds the same tempo in the same key.

A club-tempo progressive house cut, Soon You'll Be Gone - Extended Vocal Mix sits in A minor (8A) at 123 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 89% of Tinlicker's catalogue. In a set it works best as a mid-set roller.

Low end:
more treble-tilted than 76% of Tinlicker's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood22Dark
Groove66
Acoustic0
Instrumental90
Live6
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Soon You'll Be Gone - Extended Vocal Mix in?

Soon You'll Be Gone - Extended Vocal Mix by Tinlicker is in A minor, or 8A on the Camelot wheel.

What BPM is Soon You'll Be Gone - Extended Vocal Mix?

Soon You'll Be Gone - Extended Vocal Mix runs at 123 BPM, a club-tempo track.

What mixes well with Soon You'll Be Gone - Extended Vocal Mix?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Soon You'll Be Gone - Extended Vocal Mix good for peak time?

With energy 86 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 123 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More progressive house

More from Tinlicker

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track