Nothing Without You - Applescal Remix
30s preview
- BPM
- 123
- Open Key
- 8d
- Energy
- 90/100
- Pop
- 5/100
- Length
- 5:38
- Released
- 2018
- Album
- Nothing Without You
- Genre
- Progressive House
- Label
- Anjunadeep
- Loudness
- -5.8 dB
- Dynamics
- 9.6 dB
- ISRC
- GBEWA1800061
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nothing Without Youoriginal8B · 124
- Nothing Without You - Tinlicker Rework - Editremix7A · 123
- Nothing Without You - Tinlicker Reworkremix10B · 123
- Nothing Without You - Extended Mixversion8B · 124
- Nothing Without You - Applescal Extended Mixversion3B · 123
Against the original (8B at 124 BPM), this version runs 1 BPM slower and moves the key from 8B to 3B.
A club-tempo progressive house cut, Nothing Without You - Applescal Remix sits in D♭ major (3B) at 123 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Groovier than 91% of Tinlicker's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 89% of Tinlicker's catalogue
- Brightness:
- darker than 88% of Tinlicker's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Nothing Without You - Applescal Remix in?
Nothing Without You - Applescal Remix by Tinlicker is in D♭ major, or 3B on the Camelot wheel.
What BPM is Nothing Without You - Applescal Remix?
Nothing Without You - Applescal Remix runs at 123 BPM, a club-tempo track.
What mixes well with Nothing Without You - Applescal Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Nothing Without You - Applescal Remix good for peak time?
With energy 90 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from Tinlicker
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
