Interval
30s preview
- Key
- 5A · C minor
- BPM
- 108
- Open Key
- 10m
- Energy
- 23/100
- Pop
- 5/100
- Length
- 2:42
- Released
- 2013
- Genre
- Drum N Bass
- Loudness
- -19.7 dB
- Dynamics
- 7.9 dB
- ISRC
- USQY51344029
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo drum n bass cut, Interval sits in C minor (5A) at 108 BPM. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Calmer than 99% of The Upbeats's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Low end:
- more bass-heavy than 98% of The Upbeats's catalogue
- Brightness:
- darker than 95% of The Upbeats's catalogue
- Groove:
- less groove-driven than 93% of The Upbeats's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 54%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 9%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Interval in?
Interval by The Upbeats is in C minor, or 5A on the Camelot wheel.
What BPM is Interval?
Interval runs at 108 BPM, a mid-tempo track.
What mixes well with Interval?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Interval good for peak time?
With energy 23 out of 100 at 108 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 108 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 102-114 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 108 — beatmatch without a big tempo pull.
More drum n bass
More from The Upbeats
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 108 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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