Cyber Luminescence (feat. Stephen Mallinder)
30s preview
- Key
- 9B · G major
- BPM
- 180
- Half-time
- 90
- Open Key
- 2d
- Energy
- 89/100
- Pop
- 0/100
- Length
- 3:48
- Released
- 2022
- Genre
- Industrial
- Loudness
- -8.0 dB
- Dynamics
- 11.2 dB
- ISRC
- DEMM42201057
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 180 BPM in G major (9B), Cyber Luminescence (feat. Stephen Mallinder) is an industrial production. Tonally it lands dark and driving. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Silent Servant's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- faster than 98% of Silent Servant's catalogue
- Groove:
- less groove-driven than 94% of Silent Servant's catalogue
- Low end:
- more treble-tilted than 82% of Silent Servant's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Cyber Luminescence (feat. Stephen Mallinder) in?
Cyber Luminescence (feat. Stephen Mallinder) by Silent Servant is in G major, or 9B on the Camelot wheel.
What BPM is Cyber Luminescence (feat. Stephen Mallinder)?
Cyber Luminescence (feat. Stephen Mallinder) runs at 180 BPM.
What mixes well with Cyber Luminescence (feat. Stephen Mallinder)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Cyber Luminescence (feat. Stephen Mallinder) good for peak time?
With energy 89 out of 100 at 180 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 180 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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