Vamp - Live in Copenhagen
30s preview
- Key
- 9A · E minor
- BPM
- 180
- Half-time
- 90
- Open Key
- 2m
- Energy
- 71/100
- Pop
- 0/100
- Length
- 4:13
- Released
- 2013
- Album
- Live in Copenhagen
- Genre
- Minimal
- Loudness
- -11.3 dB
- Dynamics
- 13.1 dB
- ISRC
- DEL021370007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Vamp (vinyl edit)version9B · 120
- Vamp - Vinyl Editversion9B · 120
- Vamp - Kasper Bjørke Remixremix1B · 120
- VAMP - Kasper Bjørke Remixremix11A · 120
- Vamp - Radio Editversion9A · 180
- Vamporiginal9B · 120
Against the original (9B at 120 BPM), this version runs 60 BPM faster and moves the key from 9B to 9A.
At 180 BPM in E minor (9A), Vamp - Live in Copenhagen is a minimal production. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. More underground than 99% of Trentemøller's catalogue.
- Tempo:
- faster than 97% of Trentemøller's catalogue
- Groove:
- less groove-driven than 86% of Trentemøller's catalogue
- Low end:
- more bass-heavy than 79% of Trentemøller's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Vamp - Live in Copenhagen in?
Vamp - Live in Copenhagen by Trentemøller is in E minor, or 9A on the Camelot wheel.
What BPM is Vamp - Live in Copenhagen?
Vamp - Live in Copenhagen runs at 180 BPM.
What mixes well with Vamp - Live in Copenhagen?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Vamp - Live in Copenhagen good for peak time?
With energy 71 out of 100 at 180 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 180 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More minimal
More from Trentemøller
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
