Rudeboy - DECiBEL Remix
- BPM
- 160
- Half-time
- 80
- Open Key
- 7d
- Energy
- 73/100
- Pop
- 0/100
- Length
- 4:24
- Released
- 2013
- Album
- Rudeboy
- Genre
- Drum N Bass
- Loudness
- -6.3 dB
- ISRC
- GBSXS1300256
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rudeboy - Voltage Remixremix3B · 175
- Rudeboy - VIPoriginal3B · 117
- Rudeboy - DECiBEL VIP Remixremix3B · 160
- Rudeboy - DJ Versionoriginal3B · 175
- Rudeboy - Full Vocal Mixoriginal3B · 175
- Rudeboy - Instrumental Mixoriginal3B · 175
Against the original (3B at 175 BPM), this version runs 15 BPM slower and moves the key from 3B to 2B.
At 160 BPM in F♯ major (2B), Rudeboy - DECiBEL Remix is a very fast drum n bass production. The feel is dark and driving. It is vocal-led. A 2013 production that still circulates in sets. More underground than 99% of Sigma's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- calmer than 82% of Sigma's catalogue
- Brightness:
- darker than 82% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rudeboy - DECiBEL Remix in?
Rudeboy - DECiBEL Remix by Sigma is in F♯ major, or 2B on the Camelot wheel.
What BPM is Rudeboy - DECiBEL Remix?
Rudeboy - DECiBEL Remix runs at 160 BPM, a very fast track.
What mixes well with Rudeboy - DECiBEL Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Rudeboy - DECiBEL Remix good for peak time?
With energy 73 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 160 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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