Nobody but You VIP (feat. Jem Cooke)
30s preview
- Key
- 9A · E minor
- BPM
- 160
- Half-time
- 80
- Open Key
- 2m
- Energy
- 92/100
- Pop
- 12/100
- Length
- 4:18
- Released
- 2017
- Album
- Nobody but You (feat. Jem Cooke) [Remixes]
- Genre
- Drum N Bass
- Loudness
- -2.3 dB
- Dynamics
- 9.3 dB
- ISRC
- GB5KW1704118
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Nobody but You VIP (feat. Jem Cooke) is a very fast drum n bass track in E minor (9A) at 160 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2017 production that still circulates in sets. Slower than 79% of Delta Heavy's catalogue. For programming, treat it as a high-intensity peak cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Nobody but You VIP (feat. Jem Cooke) in?
Nobody but You VIP (feat. Jem Cooke) by Delta Heavy is in E minor, or 9A on the Camelot wheel.
What BPM is Nobody but You VIP (feat. Jem Cooke)?
Nobody but You VIP (feat. Jem Cooke) runs at 160 BPM, a very fast track.
What mixes well with Nobody but You VIP (feat. Jem Cooke)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Nobody but You VIP (feat. Jem Cooke) good for peak time?
With energy 92 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 160 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More drum n bass
More from Delta Heavy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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