Pacific Rhythm by Sidney Charles cover art

Pacific Rhythm

Sidney Charles

30s preview

Key
3A · B♭ minor
BPM
129
Open Key
8m
Energy
92/100
Pop
18/100
Length
5:48
Released
2024
Album
Space Bass
Genre
Tech House
Label
You & Me
Loudness
-7.5 dB
Dynamics
11.1 dB
ISRC
GBKQU2446774

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Pacific Rhythm is a peak-time tempo tech house track in B♭ minor (3A) at 129 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 84% of Sidney Charles's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 75% of Sidney Charles's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood53Balanced
Groove80
Acoustic0
Instrumental91
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Pacific Rhythm in?

Pacific Rhythm by Sidney Charles is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Pacific Rhythm?

Pacific Rhythm runs at 129 BPM, a peak-time tempo track.

What mixes well with Pacific Rhythm?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Pacific Rhythm good for peak time?

With energy 92 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 129 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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