Princess Pouty (Roger Sanchez Remix) - Radio Edit
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 2:55
- Released
- 2020
- Album
- Princess Pouty (Roger Sanchez Remix)
- Genre
- House
- Loudness
- -5.9 dB
- Dynamics
- 9.3 dB
- ISRC
- CAK472005502
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Princess Pouty - Roger Sanchez Remixremix4A · 125
Princess Pouty (Roger Sanchez Remix) - Radio Edit: club-tempo house, F minor (4A), 125 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 99% of Roger Sanchez's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Roger Sanchez's catalogue
- Energy:
- hotter than 84% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Princess Pouty (Roger Sanchez Remix) - Radio Edit in?
Princess Pouty (Roger Sanchez Remix) - Radio Edit by Roger Sanchez is in F minor, or 4A on the Camelot wheel.
What BPM is Princess Pouty (Roger Sanchez Remix) - Radio Edit?
Princess Pouty (Roger Sanchez Remix) - Radio Edit runs at 125 BPM, a club-tempo track.
What mixes well with Princess Pouty (Roger Sanchez Remix) - Radio Edit?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Princess Pouty (Roger Sanchez Remix) - Radio Edit good for peak time?
With energy 94 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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