Hear the Music - Joe Ventura Edit
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 2/100
- Length
- 2:53
- Released
- 2021
- Album
- Hear The Music (Joe Ventura Remix)
- Genre
- House
- Loudness
- -5.7 dB
- Dynamics
- 12.7 dB
- ISRC
- USMKQ2100067
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hear the Music - Joe Ventura Remixremix11B · 125
At 125 BPM in B minor (10A), Hear the Music - Joe Ventura Edit is a club-tempo house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The master keeps unusual dynamic range for club music (crest 13 dB). Brighter than 94% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 89% of Todd Terry's catalogue
- Energy:
- hotter than 81% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Hear the Music - Joe Ventura Edit in?
Hear the Music - Joe Ventura Edit by Todd Terry is in B minor, or 10A on the Camelot wheel.
What BPM is Hear the Music - Joe Ventura Edit?
Hear the Music - Joe Ventura Edit runs at 125 BPM, a club-tempo track.
What mixes well with Hear the Music - Joe Ventura Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Hear the Music - Joe Ventura Edit good for peak time?
With energy 94 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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