Abduction - Club Mix
- BPM
- 125
- Open Key
- 7d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 7:18
- Released
- 2019
- Album
- Abduction
- Genre
- House
- Loudness
- -7.3 dB
- ISRC
- USMKQ1900039
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Abductionoriginal10A · 125
Against the original (10A at 125 BPM), this version holds the same tempo and moves the key from 10A to 2B.
Abduction - Club Mix is a club-tempo house track in F♯ major (2B) at 125 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. More underground than 99% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 83% of Todd Terry's catalogue
- Energy:
- hotter than 79% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Abduction - Club Mix in?
Abduction - Club Mix by Todd Terry is in F♯ major, or 2B on the Camelot wheel.
What BPM is Abduction - Club Mix?
Abduction - Club Mix runs at 125 BPM, a club-tempo track.
What mixes well with Abduction - Club Mix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Abduction - Club Mix good for peak time?
With energy 94 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![I See [Razzmatazz] - Instrumental by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/d68ab51c71644b39f252.webp){kind=small}
How to mix it
In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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