Feels Like - Radio Slave Crash Test Remix
- BPM
- 79
- Double-time
- 158
- Open Key
- 3m
- Energy
- 74/100
- Pop
- 1/100
- Length
- 10:06
- Released
- 2014
- Album
- Feels Like (Radio Slave Remixes)
- Genre
- Techno
- Loudness
- -10.6 dB
- ISRC
- UK8LX1400004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Feels Like - Radio Slave 'Last Communication' Remixremix6A · 126
At 79 BPM in B minor (10A), Feels Like - Radio Slave Crash Test Remix is a techno production. It reads as dark and driving. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Slower than 98% of Radio Slave's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 92% of Radio Slave's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Feels Like - Radio Slave Crash Test Remix in?
Feels Like - Radio Slave Crash Test Remix by Radio Slave is in B minor, or 10A on the Camelot wheel.
What BPM is Feels Like - Radio Slave Crash Test Remix?
Feels Like - Radio Slave Crash Test Remix runs at 79 BPM.
What mixes well with Feels Like - Radio Slave Crash Test Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Feels Like - Radio Slave Crash Test Remix good for peak time?
With energy 74 out of 100 at 79 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 79 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 74-84 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 79 — beatmatch without a big tempo pull.
More techno
More from Radio Slave
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 79 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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