Feels Like - Radio Slave 'Last Communication' Remix
30s preview
- Key
- 6A · G minor
- BPM
- 126
- Open Key
- 11m
- Energy
- 64/100
- Pop
- 2/100
- Length
- 10:42
- Released
- 2014
- Album
- Feels Like (Radio Slave Remixes)
- Genre
- Techno
- Loudness
- -12.5 dB
- Dynamics
- 23.7 dB
- ISRC
- UK8LX1400003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Feels Like - Radio Slave Crash Test Remixremix10A · 79
At 126 BPM in G minor (6A), Feels Like - Radio Slave 'Last Communication' Remix is a club-tempo techno production. The mix is almost entirely instrumental. Its spectrum is focused in the upper-mids, present and forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 24 dB). A 2014 production that still circulates in sets. More treble-tilted than 98% of Radio Slave's catalogue.
- Groove:
- less groove-driven than 88% of Radio Slave's catalogue
- Brightness:
- darker than 76% of Radio Slave's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 16%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 37%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Feels Like - Radio Slave 'Last Communication' Remix in?
Feels Like - Radio Slave 'Last Communication' Remix by Radio Slave is in G minor, or 6A on the Camelot wheel.
What BPM is Feels Like - Radio Slave 'Last Communication' Remix?
Feels Like - Radio Slave 'Last Communication' Remix runs at 126 BPM, a club-tempo track.
What mixes well with Feels Like - Radio Slave 'Last Communication' Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Feels Like - Radio Slave 'Last Communication' Remix good for peak time?
With energy 64 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 126 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Radio Slave
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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