Wan Poku Moro - Radio Slave Extended Edit by Radio Slave cover art

Wan Poku Moro - Radio Slave Extended Edit

Radio Slave

30s preview

Key
12A · D♭ minor
BPM
123
Open Key
5m
Energy
89/100
Pop
12/100
Length
9:54
Released
2023
Album
Wan Poku Moro
Genre
Techno
Loudness
-11.4 dB
Dynamics
18.0 dB
ISRC
GBLTF2300151

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Wan Poku Moro - Radio Slave Extended Edit runs 123 BPM in D♭ minor (12A), a club-tempo techno record. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Brighter than 96% of Radio Slave's catalogue. For programming, treat it as a floor-filler.

Reach:
better known than 93% of Radio Slave's catalogue
Low end:
more treble-tilted than 93% of Radio Slave's catalogue
Energy:
hotter than 88% of Radio Slave's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood80Bright
Groove73
Acoustic1
Instrumental75
Live8
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
22%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
27%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Wan Poku Moro - Radio Slave Extended Edit in?

Wan Poku Moro - Radio Slave Extended Edit by Radio Slave is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Wan Poku Moro - Radio Slave Extended Edit?

Wan Poku Moro - Radio Slave Extended Edit runs at 123 BPM, a club-tempo track.

What mixes well with Wan Poku Moro - Radio Slave Extended Edit?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Wan Poku Moro - Radio Slave Extended Edit good for peak time?

With energy 89 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 123 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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