Don't Stop No Sleep - Robert Hood Remix
30s preview
- BPM
- 129
- Open Key
- 8m
- Energy
- 74/100
- Pop
- 2/100
- Length
- 6:45
- Released
- 2019
- Album
- Don't Stop No Sleep (Remixes)
- Genre
- Techno
- Loudness
- -9.2 dB
- Dynamics
- 8.9 dB
- ISRC
- GBLTF1900117
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Stop No Sleep - Tale Of Us Remixremix10B · 128
- Don't Stop No Sleep - Roman Poncet & DJ Deep Remixremix9A · 130
- Don't Stop No Sleep - Marco Faraone Remixremix9B · 133
- Don't Stop No Sleeporiginal12A · 128
- Don't Stop No Sleep - Nightmare Mixoriginal12A · 128
Against the original (12A at 128 BPM), this version runs 1 BPM faster and moves the key from 12A to 3A.
A peak-time tempo techno cut, Don't Stop No Sleep - Robert Hood Remix sits in B♭ minor (3A) at 129 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 78% of Radio Slave's catalogue. In a set it works best as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Don't Stop No Sleep - Robert Hood Remix in?
Don't Stop No Sleep - Robert Hood Remix by Radio Slave is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Don't Stop No Sleep - Robert Hood Remix?
Don't Stop No Sleep - Robert Hood Remix runs at 129 BPM, a peak-time tempo track.
What mixes well with Don't Stop No Sleep - Robert Hood Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Don't Stop No Sleep - Robert Hood Remix good for peak time?
With energy 74 out of 100 at 129 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 129 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Radio Slave
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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