Don't Stop No Sleep - Nightmare Mix
30s preview
- BPM
- 128
- Open Key
- 5m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 2:30
- Released
- 2014
- Album
- Don't Stop No Sleep
- Genre
- Techno
- Loudness
- -12.0 dB
- Dynamics
- 14.3 dB
- ISRC
- GBLTF1900116
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Stop No Sleep - Tale Of Us Remixremix10B · 128
- Don't Stop No Sleep - Robert Hood Remixremix3A · 129
- Don't Stop No Sleep - Roman Poncet & DJ Deep Remixremix9A · 130
- Don't Stop No Sleep - Marco Faraone Remixremix9B · 133
- Don't Stop No Sleeporiginal12A · 128
A peak-time tempo techno cut, Don't Stop No Sleep - Nightmare Mix sits in D♭ minor (12A) at 128 BPM. The feel is dark and driving. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. Groovier than 99% of Radio Slave's catalogue.
- Reach:
- more underground than 99% of Radio Slave's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Don't Stop No Sleep - Nightmare Mix in?
Don't Stop No Sleep - Nightmare Mix by Radio Slave is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Don't Stop No Sleep - Nightmare Mix?
Don't Stop No Sleep - Nightmare Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Don't Stop No Sleep - Nightmare Mix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Don't Stop No Sleep - Nightmare Mix good for peak time?
With energy 61 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 128 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Radio Slave
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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