Raging Noise
30s preview
- Key
- 5A · C minor
- BPM
- 96
- Double-time
- 192
- Open Key
- 10m
- Energy
- 0/100
- Pop
- 4/100
- Length
- 3:55
- Released
- 2019
- Album
- Raging Earth
- Genre
- Techno
- Label
- Noise Manifesto
- Loudness
- -6.9 dB
- Dynamics
- 9.9 dB
- ISRC
- DECY51901419
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo techno cut, Raging Noise sits in C minor (5A) at 96 BPM. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Calmer than 99% of Paula Temple's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 99% of Paula Temple's catalogue
- Tempo:
- slower than 97% of Paula Temple's catalogue
- Low end:
- more treble-tilted than 91% of Paula Temple's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Raging Noise in?
Raging Noise by Paula Temple is in C minor, or 5A on the Camelot wheel.
What BPM is Raging Noise?
Raging Noise runs at 96 BPM, a slow-groove tempo track.
What mixes well with Raging Noise?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Raging Noise good for peak time?
With energy 0 out of 100 at 96 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 96 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 90-102 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 96 — beatmatch without a big tempo pull.
More techno
More from Paula Temple
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 96 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
