Diplodocus (Noisia's 'Outer Edges' Remix) (Live)
30s preview
- Key
- 1B · B major
- BPM
- 89
- Double-time
- 178
- Open Key
- 6d
- Energy
- 60/100
- Pop
- 4/100
- Length
- 3:03
- Released
- 2020
- Album
- Outer Edges ∴ Live
- Genre
- Drum N Bass
- Loudness
- -14.4 dB
- Dynamics
- 18.1 dB
- ISRC
- UKACT2032018
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Diplodocus - Skeptical Remixremix6A · 86
- Diplodocus - Originaloriginal10A · 172
- Diplodocus (Noisia's 'Outer Edges' Remix)remix7B · 172
- Diplodocus - HØST Remixremix10B · 128
- Diplodocusoriginal10A · 172
- Diplodocusoriginal10B · 172
Against the original (10A at 172 BPM), this version runs 83 BPM slower and moves the key from 10A to 1B.
A downtempo drum n bass cut, Diplodocus (Noisia's 'Outer Edges' Remix) (Live) sits in B major (1B) at 89 BPM. The feel is dark and driving. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). More treble-tilted than 98% of Noisia's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- calmer than 86% of Noisia's catalogue
- Groove:
- groovier than 84% of Noisia's catalogue
- Tempo:
- slower than 83% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Diplodocus (Noisia's 'Outer Edges' Remix) (Live) in?
Diplodocus (Noisia's 'Outer Edges' Remix) (Live) by Noisia is in B major, or 1B on the Camelot wheel.
What BPM is Diplodocus (Noisia's 'Outer Edges' Remix) (Live)?
Diplodocus (Noisia's 'Outer Edges' Remix) (Live) runs at 89 BPM, a downtempo track.
What mixes well with Diplodocus (Noisia's 'Outer Edges' Remix) (Live)?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Diplodocus (Noisia's 'Outer Edges' Remix) (Live) good for peak time?
With energy 60 out of 100 at 89 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 89 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 84-94 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 89 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 89 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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