遠くから by Nobserv cover art

遠くから

Nobserv

30s preview

Key
10B · D major
BPM
140
Half-time
70
Open Key
3d
Energy
37/100
Pop
0/100
Length
3:51
Released
2025
Album
まだ、考え中
Genre
Vocaloid
Loudness
-15.0 dB
Dynamics
13.8 dB
ISRC
JP92W2502960

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

遠くから is a driving up-tempo vocaloid track in D major (10B) at 140 BPM. The feel is brooding and low-slung. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Less groove-driven than 99% of Nobserv's catalogue. In a set it works best as a warm-up or breakdown cut.

Brightness:
darker than 99% of Nobserv's catalogue
Reach:
more underground than 99% of Nobserv's catalogue
Energy:
calmer than 95% of Nobserv's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy37
Mood4Dark
Groove19
Acoustic72
Instrumental4
Live32
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is 遠くから in?

遠くから by Nobserv is in D major, or 10B on the Camelot wheel.

What BPM is 遠くから?

遠くから runs at 140 BPM, a driving up-tempo track.

What mixes well with 遠くから?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is 遠くから good for peak time?

With energy 37 out of 100 at 140 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#Track

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 140 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track