待ってないで by Nobserv cover art

待ってないで

Nobserv

30s preview

Key
4A · F minor
BPM
135
Open Key
9m
Energy
63/100
Pop
0/100
Length
3:10
Released
2025
Album
まだ、考え中
Genre
Vocaloid
Loudness
-10.8 dB
Dynamics
17.7 dB
ISRC
JP92W2502957

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

待ってないで: driving up-tempo vocaloid, F minor (4A), 135 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). More underground than 99% of Nobserv's catalogue.

Low end:
more bass-heavy than 99% of Nobserv's catalogue
Brightness:
darker than 98% of Nobserv's catalogue
Groove:
less groove-driven than 81% of Nobserv's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood17Dark
Groove51
Acoustic0
Instrumental19
Live12
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
8%
High
2.5-11 kHz

FAQ

What key is 待ってないで in?

待ってないで by Nobserv is in F minor, or 4A on the Camelot wheel.

What BPM is 待ってないで?

待ってないで runs at 135 BPM, a driving up-tempo track.

What mixes well with 待ってないで?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is 待ってないで good for peak time?

With energy 63 out of 100 at 135 BPM, it works best as a mid-set roller.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#Track

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 135 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track