
形になっては失せて
- BPM
- 130
- Open Key
- 7m
- Energy
- 71/100
- Pop
- 4/100
- Length
- 4:24
- Released
- 2019
- Album
- 感情再生機 vol.2
- Genre
- Vocaloid
- Loudness
- -3.9 dB
- ISRC
- JPB602072994
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 聖人君子でありたい (feat. 重音テト)original6B · 174
- かみさまべにうめをせにさかせたる (feat. 重音テト)original10A · 73
- 散財讃歌 (feat. 重音テト)original4A · 138
- 命短し恋せよキメラ (feat. 重音テト)original4A · 168
- ドレスコード (feat. 初音ミク&重音テト)original3B · 132
- だめにんげんだ! (feat. 重音テト)original11B · 90
A peak-time tempo vocaloid cut, 形になっては失せて sits in E♭ minor (2A) at 130 BPM. It reads as bright and euphoric. It is vocal-led. The master is loud and heavily compressed. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is 形になっては失せて in?
形になっては失せて by Nobserv is in E♭ minor, or 2A on the Camelot wheel.
What BPM is 形になっては失せて?
形になっては失せて runs at 130 BPM, a peak-time tempo track.
What mixes well with 形になっては失せて?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is 形になっては失せて good for peak time?
With energy 71 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 130 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More vocaloid
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.