False plane by Nobserv cover art

False plane

Nobserv

30s preview

Key
12A · D♭ minor
BPM
129
Open Key
5m
Energy
94/100
Pop
1/100
Length
2:42
Released
2025
Genre
Vocaloid
Loudness
-4.8 dB
Dynamics
11.1 dB
ISRC
HKG732554768

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

False plane runs 129 BPM in D♭ minor (12A), a peak-time tempo vocaloid record. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Hotter than 83% of Nobserv's catalogue. In a set it works best as a peak-time weapon.

Reach:
more underground than 78% of Nobserv's catalogue
Low end:
more treble-tilted than 76% of Nobserv's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood65Balanced
Groove67
Acoustic2
Instrumental0
Live11
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is False plane in?

False plane by Nobserv is in D♭ minor, or 12A on the Camelot wheel.

What BPM is False plane?

False plane runs at 129 BPM, a peak-time tempo track.

What mixes well with False plane?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is False plane good for peak time?

With energy 94 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#Track

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 129 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

#Track

More vocaloid

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track