noise (feat. 重音テト) by Nobserv cover art

noise (feat. 重音テト)

Nobserv

30s preview

Key
7A · D minor
BPM
128
Open Key
12m
Energy
95/100
Pop
2/100
Length
3:19
Released
2024
Album
noise
Genre
Vocaloid
Loudness
-0.3 dB
Dynamics
8.2 dB
ISRC
JP92Q2401110

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

noise (feat. 重音テト) is a peak-time tempo vocaloid track in D minor (7A) at 128 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Darker than 98% of Nobserv's catalogue. In a set it works best as a peak-time weapon.

Low end:
more bass-heavy than 94% of Nobserv's catalogue
Energy:
hotter than 87% of Nobserv's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood17Dark
Groove53
Acoustic0
Instrumental0
Live21
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is noise (feat. 重音テト) in?

noise (feat. 重音テト) by Nobserv is in D minor, or 7A on the Camelot wheel.

What BPM is noise (feat. 重音テト)?

noise (feat. 重音テト) runs at 128 BPM, a peak-time tempo track.

What mixes well with noise (feat. 重音テト)?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is noise (feat. 重音テト) good for peak time?

With energy 95 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 128 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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