紺碧は嘘を弾く
30s preview
- Key
- 6A · G minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 11m
- Energy
- 54/100
- Pop
- 20/100
- Length
- 5:56
- Released
- 2025
- Genre
- Vocaloid
- Loudness
- -9.8 dB
- Dynamics
- 12.6 dB
- ISRC
- QZWFU2551062
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 聖人君子でありたい (feat. 重音テト)original6B · 174
- かみさまべにうめをせにさかせたる (feat. 重音テト)original10A · 73
- 散財讃歌 (feat. 重音テト)original4A · 138
- 命短し恋せよキメラ (feat. 重音テト)original4A · 168
- ドレスコード (feat. 初音ミク&重音テト)original3B · 132
- だめにんげんだ! (feat. 重音テト)original11B · 90
紺碧は嘘を弾く: driving up-tempo vocaloid, G minor (6A), 140 BPM. The feel is balanced in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). More treble-tilted than 95% of Nobserv's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- better known than 92% of Nobserv's catalogue
- Energy:
- calmer than 83% of Nobserv's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is 紺碧は嘘を弾く in?
紺碧は嘘を弾く by Nobserv is in G minor, or 6A on the Camelot wheel.
What BPM is 紺碧は嘘を弾く?
紺碧は嘘を弾く runs at 140 BPM, a driving up-tempo track.
What mixes well with 紺碧は嘘を弾く?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is 紺碧は嘘を弾く good for peak time?
With energy 54 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 140 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More vocaloid
More from Nobserv
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
