今だから、今はまだ (feat. 重音テト)
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 10d
- Energy
- 79/100
- Pop
- 5/100
- Length
- 3:00
- Released
- 2014
- Album
- クレイジー・ソルトロック
- Genre
- Vocaloid
- Loudness
- -3.8 dB
- Dynamics
- 11.8 dB
- ISRC
- QZFZ22317245
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 聖人君子でありたい (feat. 重音テト)original6B · 174
- かみさまべにうめをせにさかせたる (feat. 重音テト)original10A · 73
- 散財讃歌 (feat. 重音テト)original4A · 138
- 命短し恋せよキメラ (feat. 重音テト)original4A · 168
- ドレスコード (feat. 初音ミク&重音テト)original3B · 132
- だめにんげんだ! (feat. 重音テト)original11B · 90
A driving up-tempo vocaloid cut, 今だから、今はまだ (feat. 重音テト) sits in E♭ major (5B) at 140 BPM. Tonally it lands bright and euphoric. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. Brighter than 80% of Nobserv's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is 今だから、今はまだ (feat. 重音テト) in?
今だから、今はまだ (feat. 重音テト) by Nobserv is in E♭ major, or 5B on the Camelot wheel.
What BPM is 今だから、今はまだ (feat. 重音テト)?
今だから、今はまだ (feat. 重音テト) runs at 140 BPM, a driving up-tempo track.
What mixes well with 今だから、今はまだ (feat. 重音テト)?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is 今だから、今はまだ (feat. 重音テト) good for peak time?
With energy 79 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 140 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More vocaloid
More from Nobserv
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
