Do - Re - Mi
- BPM
- 143
- Half-time
- 72
- Open Key
- 7d
- Energy
- 80/100
- Pop
- 0/100
- Length
- 3:19
- Released
- 2025
- Album
- デジタルボイス
- Genre
- Vocaloid
- Loudness
- -5.0 dB
- ISRC
- ES93S2500454
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo vocaloid cut, Do - Re - Mi sits in F♯ major (2B) at 143 BPM. The feel is dark and driving. The groove is strong and floor-ready. It is vocal-led. More underground than 99% of Nobserv's catalogue. In a set it works best as a floor-filler.
- Brightness:
- darker than 94% of Nobserv's catalogue
- Groove:
- groovier than 90% of Nobserv's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Do - Re - Mi in?
Do - Re - Mi by Nobserv is in F♯ major, or 2B on the Camelot wheel.
What BPM is Do - Re - Mi?
Do - Re - Mi runs at 143 BPM, a driving up-tempo track.
What mixes well with Do - Re - Mi?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Do - Re - Mi good for peak time?
With energy 80 out of 100 at 143 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 143 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More vocaloid
More from Nobserv
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
