この指だけにとまれ
30s preview
- BPM
- 145
- Half-time
- 73
- Open Key
- 7m
- Energy
- 92/100
- Pop
- 25/100
- Length
- 3:47
- Released
- 2024
- Genre
- Vocaloid
- Loudness
- -4.6 dB
- Dynamics
- 11.5 dB
- ISRC
- JP92S2410525
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 聖人君子でありたい (feat. 重音テト)original6B · 174
- かみさまべにうめをせにさかせたる (feat. 重音テト)original10A · 73
- 散財讃歌 (feat. 重音テト)original4A · 138
- 命短し恋せよキメラ (feat. 重音テト)original4A · 168
- ドレスコード (feat. 初音ミク&重音テト)original3B · 132
- だめにんげんだ! (feat. 重音テト)original11B · 90
この指だけにとまれ is a driving up-tempo vocaloid track in E♭ minor (2A) at 145 BPM. The feel is bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 95% of Nobserv's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 77% of Nobserv's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is この指だけにとまれ in?
この指だけにとまれ by Nobserv is in E♭ minor, or 2A on the Camelot wheel.
What BPM is この指だけにとまれ?
この指だけにとまれ runs at 145 BPM, a driving up-tempo track.
What mixes well with この指だけにとまれ?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is この指だけにとまれ good for peak time?
With energy 92 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 145 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More vocaloid
More from Nobserv
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
