No Need 2 Be Sorry, Call Me?
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 4d
- Energy
- 79/100
- Pop
- 35/100
- Length
- 3:57
- Released
- 2023
- Genre
- Drum N Bass
- Loudness
- -6.3 dB
- Dynamics
- 8.8 dB
- ISRC
- GBUM72304208
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
No Need 2 Be Sorry, Call Me? is a driving up-tempo drum n bass track in A major (11B) at 140 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Groovier than 97% of Nia Archives's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 95% of Nia Archives's catalogue
- Brightness:
- brighter than 87% of Nia Archives's catalogue
- Tempo:
- slower than 84% of Nia Archives's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is No Need 2 Be Sorry, Call Me? in?
No Need 2 Be Sorry, Call Me? by Nia Archives is in A major, or 11B on the Camelot wheel.
What BPM is No Need 2 Be Sorry, Call Me??
No Need 2 Be Sorry, Call Me? runs at 140 BPM, a driving up-tempo track.
What mixes well with No Need 2 Be Sorry, Call Me??
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is No Need 2 Be Sorry, Call Me? good for peak time?
With energy 79 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 140 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
![Upstart [Instrumental] by Goldie cover art](https://i.scdn.co/image/ab67616d00001e029bf2eba1fea01bd8dfd9c8c3){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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