Spellbound - Mandar Remix by Matthew Dekay cover art

Spellbound - Mandar Remix

Matthew Dekay

30s preview

Key
1A · A♭ minor
BPM
128
Open Key
6m
Energy
63/100
Pop
2/100
Length
9:00
Released
2019
Album
Spellbound
Genre
Deep House
Label
Oscillat Music
Loudness
-11.3 dB
Dynamics
11.8 dB
ISRC
GBKQU1967269

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8B at 121 BPM), this version runs 7 BPM faster and moves the key from 8B to 1A.

At 128 BPM in A♭ minor (1A), Spellbound - Mandar Remix is a peak-time tempo deep house production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Calmer than 79% of Matthew Dekay's catalogue. In a set it works best as a mid-set roller.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood51Balanced
Groove80
Acoustic0
Instrumental71
Live5
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Spellbound - Mandar Remix in?

Spellbound - Mandar Remix by Matthew Dekay is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Spellbound - Mandar Remix?

Spellbound - Mandar Remix runs at 128 BPM, a peak-time tempo track.

What mixes well with Spellbound - Mandar Remix?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Spellbound - Mandar Remix good for peak time?

With energy 63 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 128 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More deep house

More from Matthew Dekay

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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