
Something About You
30s preview
- BPM
- 195
- Half-time
- 98
- Open Key
- 7d
- Energy
- 98/100
- Pop
- 3/100
- Length
- 3:32
- Released
- 2018
- Genre
- Downtempo
- Loudness
- -5.8 dB
- Dynamics
- 15.2 dB
- ISRC
- NLD681804211
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 195 BPM in F♯ major (2B), Something About You is a downtempo production. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 15 dB). A 2018 production that still circulates in sets. Faster than 99% of Markus Schulz's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 99% of Markus Schulz's catalogue
- Energy:
- hotter than 96% of Markus Schulz's catalogue
- Low end:
- more treble-tilted than 94% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 30%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Something About You in?
Something About You by Markus Schulz is in F♯ major, or 2B on the Camelot wheel.
What BPM is Something About You?
Something About You runs at 195 BPM.
What mixes well with Something About You?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Something About You good for peak time?
With energy 98 out of 100 at 195 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 195 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 183-207 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 195 — beatmatch without a big tempo pull.
More downtempo
More from Markus Schulz
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 195 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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