Doomsday
- Key
- 6A · G minor
- BPM
- 100
- Double-time
- 200
- Open Key
- 11m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 3:44
- Released
- 2013
- Genre
- Downtempo
- Loudness
- -6.1 dB
- ISRC
- GBEWA1201051
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Doomsday is a slow-groove tempo downtempo track in G minor (6A) at 100 BPM. The feel is dark and driving. It is vocal-led. Spoken-word passages run through it. A 2013 production that still circulates in sets. More underground than 99% of Andrew Bayer's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 87% of Andrew Bayer's catalogue
- Brightness:
- brighter than 77% of Andrew Bayer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Doomsday in?
Doomsday by Andrew Bayer is in G minor, or 6A on the Camelot wheel.
What BPM is Doomsday?
Doomsday runs at 100 BPM, a slow-groove tempo track.
What mixes well with Doomsday?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Doomsday good for peak time?
With energy 80 out of 100 at 100 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 100 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More downtempo
More from Andrew Bayer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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