Manray
30s preview
- BPM
- 127
- Open Key
- 4m
- Energy
- 100/100
- Pop
- 12/100
- Length
- 3:36
- Released
- 2022
- Genre
- Trance
- Loudness
- -5.1 dB
- Dynamics
- 12.0 dB
- ISRC
- NLD682200585
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Manray - Sam Wolfe Remixremix9A · 128
- Manray (GDJB Weekly Drive 33)original11A · 128
- Manray - Sam Wolfe Extended Remixremix11A · 128
- Manray (Destinations 23) - Alex Sonata & TheRio Remixremix9A · 128
A peak-time tempo trance cut, Manray sits in F♯ minor (11A) at 127 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 99% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 89% of Markus Schulz's catalogue
- Low end:
- more treble-tilted than 83% of Markus Schulz's catalogue
- Tempo:
- slower than 79% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Manray in?
Manray by Markus Schulz is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Manray?
Manray runs at 127 BPM, a peak-time tempo track.
What mixes well with Manray?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Manray good for peak time?
With energy 100 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 127 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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