You Got Me
30s preview
- BPM
- 145
- Half-time
- 73
- Open Key
- 5m
- Energy
- 94/100
- Pop
- 21/100
- Length
- 3:59
- Released
- 2023
- Genre
- Techno
- Loudness
- -7.9 dB
- Dynamics
- 10.4 dB
- ISRC
- GB6WQ2300153
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
You Got Me: driving up-tempo techno, D♭ minor (12A), 145 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 99% of Mark Broom's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 95% of Mark Broom's catalogue
- Energy:
- hotter than 83% of Mark Broom's catalogue
- Low end:
- more treble-tilted than 80% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is You Got Me in?
You Got Me by Mark Broom is in D♭ minor, or 12A on the Camelot wheel.
What BPM is You Got Me?
You Got Me runs at 145 BPM, a driving up-tempo track.
What mixes well with You Got Me?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is You Got Me good for peak time?
With energy 94 out of 100 at 145 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 145 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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