Wait A Minute - Mark Broom’s Return To The Rave Remix by Mark Broom cover art

Wait A Minute - Mark Broom’s Return To The Rave Remix

Mark Broom

30s preview

Key
6B · B♭ major
BPM
126
Open Key
11d
Energy
83/100
Pop
0/100
Length
3:18
Released
2022
Album
Wait a Minute
Genre
Techno
Loudness
-7.0 dB
Dynamics
10.2 dB
ISRC
GBLTF2200095

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in B♭ major (6B), Wait A Minute - Mark Broom’s Return To The Rave Remix is a club-tempo techno production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Mark Broom's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
slower than 88% of Mark Broom's catalogue
Groove:
less groove-driven than 85% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood37Balanced
Groove65
Acoustic1
Instrumental90
Live13
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Wait A Minute - Mark Broom’s Return To The Rave Remix in?

Wait A Minute - Mark Broom’s Return To The Rave Remix by Mark Broom is in B♭ major, or 6B on the Camelot wheel.

What BPM is Wait A Minute - Mark Broom’s Return To The Rave Remix?

Wait A Minute - Mark Broom’s Return To The Rave Remix runs at 126 BPM, a club-tempo track.

What mixes well with Wait A Minute - Mark Broom’s Return To The Rave Remix?

From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.

Is Wait A Minute - Mark Broom’s Return To The Rave Remix good for peak time?

With energy 83 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

6B5B · 7B · 6A

From 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.

Every move from 6B

7BSimple Mix Upper
5BSimple Mix Downer
6ATonal Shift·
7ADiagonal Mix Upper
5ADiagonal Mix Downer
9ACompatible Tone·
8BHigh Energy Boost▲▲▲
4BHigh Energy Drain▼▼▼
9BParallel Key Upper▲▲
3BParallel Key Downer▼▼
1BTritone Jump▲▲
10BRelated Keyrisky

How to mix it

In 6B at 126 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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