Satellite - Alex Bau Repaint by Mark Broom cover art

Satellite - Alex Bau Repaint

Mark Broom

30s preview

Key
1B · B major
BPM
127
Open Key
6d
Energy
53/100
Pop
2/100
Length
6:18
Released
2011
Album
Satellite
Genre
Techno
Loudness
-10.3 dB
Dynamics
12.1 dB
ISRC
GB6WQ1100003

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Satellite - Alex Bau Repaint runs 127 BPM in B major (1B), a peak-time tempo techno record. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. Darker than 98% of Mark Broom's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 96% of Mark Broom's catalogue
Tempo:
slower than 77% of Mark Broom's catalogue
Groove:
groovier than 76% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy53
Mood4Dark
Groove80
Acoustic0
Instrumental92
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Satellite - Alex Bau Repaint in?

Satellite - Alex Bau Repaint by Mark Broom is in B major, or 1B on the Camelot wheel.

What BPM is Satellite - Alex Bau Repaint?

Satellite - Alex Bau Repaint runs at 127 BPM, a peak-time tempo track.

What mixes well with Satellite - Alex Bau Repaint?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Satellite - Alex Bau Repaint good for peak time?

With energy 53 out of 100 at 127 BPM, it works best as a mid-set roller.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

#TrackKey·BPM

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 127 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Mark Broom

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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