Satellite - Mix Two by Mark Broom cover art

Satellite - Mix Two

Mark Broom

Key
10A · B minor
BPM
127
Open Key
3m
Energy
71/100
Pop
1/100
Length
5:20
Released
2011
Album
Satellite
Genre
Techno
Loudness
-9.1 dB
ISRC
GB6WQ1100002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Satellite - Mix Two is a peak-time tempo techno track in B minor (10A) at 127 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. Brighter than 88% of Mark Broom's catalogue. In a set it works best as a floor-filler.

Groove:
groovier than 85% of Mark Broom's catalogue
Tempo:
slower than 77% of Mark Broom's catalogue
Energy:
calmer than 75% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood56Balanced
Groove81
Acoustic0
Instrumental89
Live11
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Satellite - Mix Two in?

Satellite - Mix Two by Mark Broom is in B minor, or 10A on the Camelot wheel.

What BPM is Satellite - Mix Two?

Satellite - Mix Two runs at 127 BPM, a peak-time tempo track.

What mixes well with Satellite - Mix Two?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Satellite - Mix Two good for peak time?

With energy 71 out of 100 at 127 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Mark Broom

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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