Late Night Caller - Mark Broom Edit
30s preview
- BPM
- 133
- Open Key
- 4m
- Energy
- 63/100
- Pop
- 3/100
- Length
- 4:20
- Released
- 2019
- Album
- Five/Four EP
- Genre
- Techno
- Loudness
- -10.9 dB
- Dynamics
- 9.2 dB
- ISRC
- NLMH61900020
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo techno cut, Late Night Caller - Mark Broom Edit sits in F♯ minor (11A) at 133 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 86% of Mark Broom's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Late Night Caller - Mark Broom Edit in?
Late Night Caller - Mark Broom Edit by Mark Broom is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Late Night Caller - Mark Broom Edit?
Late Night Caller - Mark Broom Edit runs at 133 BPM, a peak-time tempo track.
What mixes well with Late Night Caller - Mark Broom Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Late Night Caller - Mark Broom Edit good for peak time?
With energy 63 out of 100 at 133 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 133 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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