Exploration of the Ravish
30s preview
- Key
- 9B · G major
- BPM
- 133
- Open Key
- 2d
- Energy
- 60/100
- Pop
- 5/100
- Length
- 5:07
- Released
- 1997
- Genre
- Techno
- Loudness
- -19.3 dB
- Dynamics
- 11.2 dB
- ISRC
- GBEWK9700003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 133 BPM in G major (9B), Exploration of the Ravish is a peak-time tempo techno production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 1997 production that still circulates in sets. Darker than 99% of Planetary Assault Systems's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 99% of Planetary Assault Systems's catalogue
- Groove:
- groovier than 97% of Planetary Assault Systems's catalogue
- Energy:
- calmer than 82% of Planetary Assault Systems's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 64%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 2%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Exploration of the Ravish in?
Exploration of the Ravish by Planetary Assault Systems is in G major, or 9B on the Camelot wheel.
What BPM is Exploration of the Ravish?
Exploration of the Ravish runs at 133 BPM, a peak-time tempo track.
What mixes well with Exploration of the Ravish?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Exploration of the Ravish good for peak time?
With energy 60 out of 100 at 133 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 133 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More techno
More from Planetary Assault Systems
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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